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warehouse | An LA Crime Story

Peanut Butter Cups

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Fifty-four year old Leland Hays was aging well. But then again, it was LA. In his mind, he was thirty two and after years of Juvederm injections, botox and a chin implant, he looked about forty four. Still hot enough to get cool girls. Right then on the showroom floor of his furniture warehouse, he was bending a boyish young Thai waitress over the end of an antique platform bed he’d just imported from China and slamming her from behind. Then he bent her over an Indonesian loveseat, then a Moroccan chaise until he finally came in her over an oversized ottoman sadly re-upholstered in a purple and gold polyester damask. Not his best piece. He loved antiques. Though these pieces he imported were faux-antiques, they were mostly still beautiful and people in LA paid a decent price for them.

The waitress was quiet the whole time. He liked that. He’d told her that if she was quiet, he’d give her a present. She did make some noise when she unwrapped a peanut butter cup and ate it when she was bent over the chaise but other than that, she was good. He let her pick out a small punched tin Mexican light for her apartment before kicking her out.

Rhea was parked across the street from the loading dock of the Palmetto Street warehouse. Next to it was a little green door under a nondescript sign that read: H&H Imports. She stared at the door, wondering what to do. She still had her badge. She kept it tucked in a kleenex packet in her glove box, hoping she’d be re-instated at any moment. Though she wasn’t supposed to use it, she had. Twice. Once for free valet-parking at the Grove and once for a free Metro ride to Santa Monica. Using it now could really piss Strickland off… if he found out. She figured she had about another twenty minutes to decide; she was sure he’d be over here himself with Dawson pretty soon.

The green street door opened. A young Thai woman hurried out, carrying a Mexican lamp. The woman got in her Kia and drove away. Rhea opened her glove box, unwrapped her badge and got out of her car.

Hays had decided to do some inventory. He was in his office when someone started banging on the street door. He thought maybe the girl had forgotten something. He opened his door still wearing his bathrobe. A woman cop named Porter who smelled like cilantro thrust a badge in his face and wanted to know if he owned a place called Domingos on Cesar Chavez.

He knew she knew the answer so he told her he did. “Why?” he asked her, “What’s going on?”

Before Rhea could answer, Strickland was beside her. Dawson was right behind.

“What the Hell–?” Hays asked.

“There was a fire in the kitchen at Domingos.” Strickland stepped up, shooting Rhea a look and moving in front of her.

Rhea bristled when Dawson added, “We found three bodies. Girls. Probably died trying to get out.”

“Was it bad?” Hays asked.

“Well.” Rhea commented, jostling for relevance, “There’s three dead girls in there.”

“Know anything about them?” Dawson continued, showing Hays a snap of the dead girls. Hays looked quickly and shoved it away, like he’d been dirtied.

“No. No – it’s a bar. We don’t let kids in there. Maybe they’re neighborhood kids who broke in or something and couldn’t get out–”

“Any of your employees have kids they might’ve brought there. Any of your friends?”

“No. Besides, it’s been closed for a couple weeks now–”

“Why’s that?” Strickland asked, trying to get back into it.

“The place was strictly an investment. It used to be packed. Hip types used to come in for a beer and a game of pool after doing their foodie thing on Breed Street. But ever since the city shut down all the taco pushers a year or so ago, the foodies stopped coming around. Business dried up. I opened on weekends for awhile but not recently. I was really never there and frankly, I haven’t even driven by in over a week.” He waved his hand over the warehouse, “Furniture is my main business.”

He stepped aside, allowing them a glance into the warehouse. It was cursory but something caught Rhea’s eye.

“Anyone else have access to Domingo’s, Mr. Hays? A manager, bartender, friend?” Strickland continued.

“I had a bartender but I laid her off when I closed the place. She gave her key back.” Hays told him.

“What’s her name?”

“Ahhh…” he thought for a moment, “Myrna.”

“Last name?”

Hays ran his hand through a shock of sandy blond hair plugs. “I really can’t remember.”

“Want to check your records for us? Give us a name?” Dawson asked. Hays was quiet. “No records?” Dawson pressed.

“She came in, asked for a job. She said she’d work for tips.” Hays smiled, “I’m sure she reported them all. I trust people, Detective… it’s the only way to get through life.”

“Where do you get your product from?” Rhea asked, casually.

“China, Indonesia, Thailand, a little from India, even a little from France.” Hays answered, always the salesman. “You looking for something in particular? We have good price on beds right now.”

Rhea ignored him. She pointed to a spot inside, where a rustic Mexican desk stood. “That. What’s that? Indian?”

“Ahh… Mexican.” Hays answered as Strickland looked back at Rhea. “We get a little of that but not much. Hard to compete with La Fuente and Direct From Mexico. I can give you a police discount. Five percent.”

“Thanks. Let me think about it.” Rhea said, then added “You mind if I take a quick picture?”

Hays stepped aside, gesturing for her to go ahead. As Rhea took her phone out and snapped a picture of the desk, Strickland followed her lead and asked:

“How long have you been in the furniture business, Mr. Hays?”

“Too long” Hays laughed, “A little over thirty years.”

Dawson gave Hays his card and told him to call if he remembered anything.

Hays had one last question, “Let me ask you– do you get rid of the bodies or–”

Dawson explained that they’d handle it and let him know when he could have access back to Domingos. “Might be a week. Maybe less.” He told him. Hays nodded.

As the detectives started to leave, Strickland turned back. “One last thing,” he asked, “You have insurance on the bar, right?”

Hays nodded, “As basic as it gets. I’ll be lucky if they pay for a coat of paint. Believe me, I’m the one losing out here.”

“And the dead girls.” Strickland reminded him.

A smile slid onto Hays’s face like a cat’s second eyelid. “Of course, Detective; goes without saying.” He closed the door.

Rhea held back as Strickand and Dawson walked away.

The two men reached Dawson’s car. It was parked next to Rhea’s. They waited for her to catch up.

“That wasn’t cool, Porter.” Dawson started in on her.

Rhea walked to her car, opened her car doo, paused and turned back to him,

“Say hi to Stacey for me.”

Dawson nodded.

“You’ve been together a long time, yeah?” she asked, lingering; waiting for Strickland to get closer, within earshot.

“Ten years.” Dawson admitted, curious–

“What is she now, almost twenty-six?” Rhea commented. She looked at Strickland, got in her car and drove away.

“What a piece of work.” Dawson muttered after she’d gone.

“You know her story–” Strickland started to defend her; “Sister got taken in Ensenada–”

Dawson shrugged. “Long time ago, yeah?”

Strickland nodded, “We think she was taken by some guy bringing furniture up to LA.

Dawson shrugged again; his arm gestured the myriad of warehouses, half a dozen were furniture importers. “We’ll see what we see.”

Rustic Imports

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One hour before Rhea got on the train, twenty-six miles north, in an alley behind Palmetto Street, Leland Hays stood on the loading ramp of his downtown LA furniture warehouse and peeled off three hundred dollars from a roll of bills and handed the money to Panama Jones.

“You told me five or six—“ Panama reminded him.

“I had to take out for gas, insurance, wear and tear—” Leland explained.

Panama wasn’t happy. “I gotta pay for that too?”

Hays went on, “You only got one girl. Don’t get me wrong, one’s OK but—five or six hundred for one? We’re trying to do these girls a favor here, right? Their new… ‘employers’… are paying me a little something but no one’s getting rich, here.”

Panama nodded, he understood. He gestured toward the closed steel door at the top of the ramp. “She still goin’ to Beverly Hills?”

“Yep. To a great family.” Hays assured him, then added, “Remember, no one knows we do this. Government wouldn’t like us not payin’ them their immigration fees–”

“I know.” Panama interrupted–

“We’d all be in deep shit—“ Hays went on, emphasizing “all”.

“I know.”

“Good.” Hays said, like a threat. “Come back by in a few weeks— I’ll have more work.”

Panama nodded and walked away, past the blue van parked in a spot in front of the warehouse, next to an old Mercedes and an ’88 Camry. He headed toward the bus stop on Fourth Street. Something felt weird to him but, he had a few joints in his pocket to smooth it all out.

Back inside his warehouse, Hays went into his office and looked around. “Larry?” he called out.

“Over here.” came a male voice. Hays followed it back outside to the top of the ramp where the furniture that was in the blue van had been unloaded. The door to the rustic cabinet was open. Inside the cabinet, Aggie was sound asleep. A balding man in his thirties, Larry Ozrin, pointed at her, smiling. Hays agreed with a smile. “Blond. Yeah–” He rubbed his fingers against his thumb in the gesture of “money.”

Ozrin nodded, “How much?”

“Extra five grand.” Hays told him. Ozrin reeled, “C’mon, man–”

“Firm.” Hays wasn’t negotiating. After a minute, Ozrin agreed. He handed over a neat stack of cash to which he added five thousand dollars.

“You’ll make that back in a week.”

“Easily.” Ozrin admitted then he lifted Aggie out of the cabinet and carried her, still sleeping, out to his Camry. He put her in the back seat, wrapped in a blanket. He drove off, keeping well within the speed limit.

Petunia Print

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On Christmas Eve, Aggie woke up on the floor of a partitioned two-car garage. She was still wrapped in the blanket. There was a band of fading light at the bottom of the garage door. The day was ending.

A door in the partition was open. A man walked by wearing a bathrobe, smoking a cigarette.

“Can we get this going, Ozrin? I have a dinner–” he asked someone.

Aggie could see another man, behind a video camera that was on a tripod. Larry Ozrin.

“Just let me set the exposure here–” he answered.

“You’re not gonna show my face–” the bathrobe man warned.

“No one cares about your face, Don.” Ozrin replied.

“Cause I have a call-back on a pilot next week…” Don rambled on as Ozrin looked up and saw Aggie in the doorway.

“OK kid, come here.” He ordered Aggie.

Aggie stepped into the other half of the garage. In one corner there was a mattress on the floor, lit by a Home Depot work light. A sheet with a petunia pattern stretched across it. A video camera was pointed at the mattress.

Aggie looked around. There was no way out. She put her hand in her pocket and felt around for the little blue feather. She found it. She put it in her mouth and swallowed it.

“OK” she told Ozrin and walked toward him.

There was a song in the sixties by one of the famed “wall of sound” Phil Spector girl groups, the Shirells. The song was “Leader of the Pack”. To quote that song, “Get the picture? Yes, we see…”

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