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bar | An LA Crime Story

Remains

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Rhea followed Sheena along the top rim of the cement embankment that cradled the LA river. It was a little after nine, daylight was almost gone. As they neared the Chavez Bridge, Sheena hesitated above a clutter of debris lumped under the bridge. Sheena’s camp.

“Stay here.” Rhea told Sheena as she scrambled down the bank where the trickle of river water ambled under the bridge. She walked a few yards to the camp remains: a moldy sleeping bag, some squishy old sweat pants, three empty Cheetos bags and an empty can of Progresso Light Pot Pie soup.

A sudden whoosh of air brushed down on her – a Santa Ana gust – that carried on it the smell. Unmistakable. She looked around for a body but she knew it would be a little farther away. She took another whiff then looked up the opposite embankment toward where it came from. A skinny coyote sauntered across the bridge just above. A woman in her twenties followed it, stopping mid-bridge to gaze out and around. It was the same woman who sat on the stone wall overlooking the reservoir. She was still barefoot. Noticing her, Was she homeless? Rhea wondered. Maybe not… she carried an old 35mm camera and an air of cool. The woman looked back at a building just behind her. Then she looked down at Rhea. A look came over her – a hesitant half-smile that pulled Rhea in like a memory.

“Find anything?” Sheena’s voice broke the spell.

Rhea turned. Sheena was about to skitter down the embankment.

“Stay there!” Rhea called up to her. Rhea glanced back up at the woman on the bridge. She was moving on… just another hipster photog, Rhea figured, looking for a moody downtown LA pic.

Rhea scrambled back up the embankment to where Sheena was waiting. “You have somewhere you can stay for a few nights?” she asked her.

“What is it?” Sheena asked, unsure if she wanted to know.

“Probably just a dead dog or racoon. I’ll get animal control to pick it up in the morning. Is there somewhere else you can crash-”

“I’ll find somewhere–”

“Try the shelter on San Pedro–”

Sheena shook her head. Hard.

“They’ve got better security now–” Rhea half-heartedly tried to convince her but Sheena wasn’t having it. Rhea understood – it would take an army of security and the compassion of masses to stem the violence and troubles of the homeless in LA. Rhea dug around in her pockets and gave Sheena all she had, almost seventeen dollars.

“Get some food. And be careful–”

Sheena took the money. Suddenly she grabbed Rhea and hugged her. “You too.” she cautioned then hurried across the street and headed downtown.

Rhea walked across the Chavez Bridge. Below her was the homeless camp. Behind her was the city skyline. A few yards from the boulevard on the northeast side of the bridge was a sagging, shuttered old bar called Domingos. She went around to the back. She checked in trash cans and knee high weeds, sniffing and honing in on a spot behind an old tire.There it was: a rotting dead possum. She backed away then turned around. She was facing the back of the bar. She sniffed; smelling something else. She walked to the bolted back door and put her nose to the edge of it. She sniffed again. She went around to the front. That door was jammed tight with twenty years of grime and a ten dollar lock. Deciding the smell gave her cause, she jimmied it open. The whiff of charred beans kissed her as it escaped the place. She went inside.

The light of an LA night bled through three small curtained windows. Her eyes adjusted to a hazy dimness. There was a bar against one wall, a pool table in the middle of the small room and a closed door in the back. A page of smoke slid out from under it. The door was locked. Three kicks knocked it open. Smoke veiled the room. Rhea walked through it. A blackened stove stood against a burned wall, splattered with the scorched remains of a pot of food that had exploded.

Rhea slid a finger through a layer of wet soot, pitted by drops of water from the ceiling sprinklers that had put out the fire. But they hadn’t put it out fast enough. There was a spent extinguisher on the floor, still in the hand of a dead girl lying there. The girl looked around eleven. Her other arm reached out to two more dead girls, huddled together by the bolted back door. They looked about six and seven. Their arms were around each other. Their eyes were open. Their bodies were splattered with extinguisher foam. Their nostrils were blackened with smoke.

Rhea checked them for a pulse. The youngest girl was still warm.

She pressed the sides of the girl’s mouth open. Her blue lips puckered like a snapdragon. A poof of air slipped out, shimmered, then fluttered away, as though she’d exhaled one last dream.

It made Rhea jump.

Outside, on the cement bank across the river from Domingos, the young photographer dropped to one knee. She braced her elbow on her thigh to steady her lens and snapped off a half dozen pictures of a faint little puff of shimmering light as it rose up into the night sky just above Domingos.

In the blackened kitchen, Rhea checked again for a pulse on the little girl. Nothing. The girl was dead. Rhea took out her phone and snapped a few pics of the three bodies. Then she called the boss.

Taquitos

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Out of the almost Seventeen hundred bars in LA., Rhea narrowed her search down to twenty-seven. Knowing that a fifty-something year old Mexican woman wouldn’t be mixing Twinkie-tinis at the Skybar or pulling drafts at Barney’s Beanery or keeping it neat at the Frolic Room eliminated close to a thousand. Adding in the geography of LA and transit times, that knocked out another six hundred.

Rhea started at eight at La Golondrina. It was Friday night. The popular place stayed open until eight-thirty. Weird. Especially for a tourist place but that’s the way it was. She knew Myrna probably wouldn’t be there but La Golondrina was on Olvera Street and walking Olvera was a good place to start – walking Olvera was also, for Rhea, a self-inflicted wound.

The trinkets and sweet treats sold at the brightly-colored wooden vendor booths hadn’t changed in twenty years, making it easy for Rhea to let the pain of her past memory there fuse with the goal of the present. Pain always focused Rhea, as did guilt. And the three-buck taquitos with green sauce at Cielito Lindo momentarily took the edge off. She bought two classic ones. She took them to a little green table and dug in. Heaven. Not wasting the moment and thinking ahead, she took out a little paper notepad she carried and a pencil and jotted down a few words: Young. Creamy, Hot Mouthful – about the creamy tang of the signature sauce that blanketed crispy curled tortillas and the promising guy who was dipping them into the fryer.

Downing the last bite, she walked across the brick path to the famed La Golondrina. The bar area was packed. The two bartenders were male. “Is Myrna on tonight?” Rhea asked one of them. “Who?” he replied. Rhea waved him off; knowing it was a long shot to ever expect to see a woman bartender working an old-school Mexican restaurant.

Next up, she crossed Alameda and went into Union Station. The deco Traxx restaurant had an old bartender who looked like Nosferatu. But they didn’t have a Myrna.

The third, fourth, fifth and sixth bars were scattered over a few blocks around downtown. All bartenders were men except for one transgender Russian woman. None had heard of a Myrna.

The seventh was a dark-red old-world bar in a classic Chinatown joint that featured Mu Shu pork, Won Ton soup and lots of plum sauce. Behind that small bar was a snake-skinned old dame named Madame Wu. Rhea asked her over a sidecar if she knew of another woman in town who poured named Myrna. Her dyed-black eyebrow barely raised. But it raised in recognition of the name Myrna. Ignoring Rhea, she moved down the bar to pour a shot of Chartreuse for a ninety-year old dancer. Rhea now had an answer. Myrna Saldano was real. And local.

It was last call. Rhea left three-fourths of her sidecar on the bar and left.

Once home, Rhea forced her mind away from bartenders and darkness and tried to finish her taquito review. She fished the notepad from her purse and jotted some more thoughts down. She liked using paper. She’d been using paper to take notes ever since she got her first notepad from Strickland when she was sixteen, a terrified kid looking to him for hope on the darkest night of her life.

“…write down anything you remember.” He’d told her as he wrote his phone number on the pad, “Anything at all, then call me. Anytime.”

She wished she could call him now and tell him how sorry she was for letting him down. But she couldn’t. She wrote. She had to make a lot of it up… “–a sinewy gaucho casually walking by bought me three taquitos with extra heat for five-twenty-five and he sprung for a Champurrado. In the back of his Camaro parked in a lot on Main, he turned me into a liar for every time I’ve ever said “no” to a man or a meal that could set me on fire..” She hated making it up. She wanted it real. She found a snack sized bag of Maui potato chips and turned on the tv. Not much was on her basic cable. OVC. News reruns. Old PBS shows. She settled on a Huell Howser re-run. He was visiting Porto’s Bakery. It was an entire show about cakes: Mango cheesecake. White chocolate raspberry mousse. Kiwi merengue torte. Grand Mariner with chocolate ganache. Lemon curd pound cake. Vanilla custard cake with pineapple filling… she should have turned it off but her mood was dark and so she watched and let her mind be pierced with thoughts of her sister.

A pledge break reeled her mind in. She turned the tv off and went outside to the courtyard. It was late. All the apartments were dark. She sat in a plastic chair by the pool. The only sound was the constant whisper of cars driving by outside.

A moving shadow startled her. A young coyote darted from behind a trash bin enclosure. It stopped when it saw her – stared her down, unafraid. Finally it skulked away and slipped out between the rails of the courtyard gate, heading up Laurel, toward the hills. A greeting came to it from somewhere in those hills, the sound of its entire pack howling. It died down. Rhea shivered. She looked at her phone. Three AM. When the quiet settles into the cracks of the night and the ghosts in the air kiss your skin.

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