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la river | An LA Crime Story

Apr 10
0

Marigold Walls

By | Serial | No Comments

The marigold colored walls of Barragan’s main room screamed sunshine. Rhea headed for the darkness of the bar. It was a little after seven on “Dollar Taco Monday” – an easy choice for her first review. The tacos were OK – somewhere between the fresh grilled asada ones at the Saturday night Pop-ups on Yale St. and the ones at Taco Bell. And at a buck a piece she could easily meet Manny’s five dollar limit.

She sat at the end bar stool next to a long verticle window. where she had a sliver of a view of the street outside. Sunset Boulevard started in heart of Boyle Heights – as Cesar Chavez Boulevard – it danced west through the brightly colored hood that defined LA’s origins; it shot past Chinatown where its name changed to Sunset then wove through the hip haunts of Hollywood – gliding past the glitz of the strip, winding through half a dozen stately hoods dripping with the trappings of wealth glimpsed through high hedges and iron gates before it sailed down its final hill and ended at the Pacific. Quite a street. And her view of the Hollywood boys strutting down it was a treat.

“San Miguel dark, right?” The bartender smiled at her. She smiled back,

“Yeah Ernie, thanks. And five tacos. Mixed.”

He slid her the beer and wrote up her order. She took a swig. After thinking a little, she took out her phone. She opened her notepad app and wrote a few words: “Dollar tacos. Back room. Sunset Boys. San Miguel.” She looked out the window, straining to see the boys on the street. It was a good spot to check them out – and maybe she’d find one to share a few tacos with. Several potentials hustled by. But it was still light out and she could see the frays on the edges of their strut and the tired in their eyes. This glimpse of reality sometimes made her wonder what the hell she was doing. Sometimes it even made her vow to quit. She wanted someone with hope and plans and laughter and sincere lust for her. But then dusk would fall and the boys looked better and her need overcame her vow.

A waiter brought Rhea her tacos, a display of chorizo, beefy oxtail, lime chicken, herbs, beans and cacique cream encased in fried tortillas. Heaven. She looked back out the window, maybe someone to share with would walk by. A scruffy girl about sixteen came into view, carrying an overstuffed blue IKEA bag. Rhea drained half the beer in a single gulp, wrapped the tacos in a few napkins, slapped ten dollars on the counter, took the tacos and left.

Outside, Rhea looked for the girl. She hurried past a mobile covid vax truck and two food trucks parked behind it, selling fried chicken, plantains and waffles to the newly vaxxed.

Rhea spotted the girl on the corner. She approached her.

“Sheena?” Rhea said, close behind. The girl turned.

“Officer Porter!” she cried out, recognizing Rhea.

The girl seemed shaky. Are you OK?” Rhea asked her.

“Yeah. Yeah…” Sheena answered, unconvincingly then looked at the napkin-wrapped bundle Rhea was holding. “Those tacos?”

Rhea offered them to her, “One is chorizo.”

Sheena flashed a brief smile as she took four of the little tacos, leaving the chorizo one. “I’ve been looking for you. Where’ve you been?”

“Sorta on a break.” Rhea explained then asked again, “Everything OK?”

Sheena wolfed a taco. Finally she answered, “No.”

“What happened?” Rhea asked.

“Nothing happened really, it’s just… There’s this smell…”

“Where?”

“Down by camp.”

Rhea looked at Sheena’s IKEA bag, “So you’re moving?”

She nodded “Just until it goes away… ”

“It’s that bad?”

“Yeah.” Sheena confirmed.

Rhea tried to offer an explanation, “It’s probably just all the trash there. Or maybe all the piss, soaking the ground.”

“No…” Sheena said, kind of slow. Something was bothering her.

“Could be the muck in the L.A. River.” was Rhea’s next idea.

Sheena looked her in the eye, “It’s kind of a scary smell.”

Apr 10
0

Remains

By | Serial | No Comments

A little after nine that night Rhea followed Sheena along the top of the cement embankment of the LA River. Daylight was nearly gone; shadows were long. As they neared the Chavez Bridge, Sheena pointed down, to a clump of debris under the bridge.

“There.”

“Stay here.” Rhea told Sheena as she scrambled down the bank where it trickled under the Chavez bridge. She walked a few yards to the remains of a homeless camp: a moldy sleeping bag, some squishy old sweat pants, three empty Cheetos bags and an empty can of diet Coke and Progresso Lite Pot Pie soup.

A sudden whoosh of air brushed down on her. She thought nothing of it – LA was a city of Santa Anas – she was used to sudden gusts. But the tail end of the second gust carried on it a faint smell. She knew it well. She looked around for a body but she knew it would be a little farther away. She took another whiff then looked up the opposite embankment toward the street above. A Chavez street bridge crossed over it. The young woman photographer was walking over it. Then she stopped. Through an opening between balustrades, Rhea could see the woman was barefoot. Was she homeless? Rhea wondered, though she seemed too clean. Plus she carried an old 35mm camera and an air of cool. Then she stopped. She looked down. At Rhea. Her expectant look pulled Rhea in like a memory.

“Find anything?” Sheena’s voice broke the spell.

Rhea turned. Sheena was about to skitter down the embankment.

“Stay there!” Rhea called up to her. Rhea glanced back up at the woman on the bridge. She was moving on, crossing to the side Sheena was on. Rhea decided the woman was just another hipster photog, looking for a moody downtown LA pic.

Rhea went back to Sheena. “You have somewhere you can stay for a few nights?” she asked her.

“What is it?”

“Probably just a dead dog or racoon. I’ll get animal control to pick it up in the morning. Is there somewhere you can-”

“I can crash downtown–”

“Try the shelter on San Pedro–”

Sheena shook her head. Hard.

“They’ve got better security now–” Rhea half-heartedly tried to convince her but Sheena wasn’t having it. Rhea understood – it would take an army of security and the compassion of masses to stem the violence and troubles of the homeless in LA. Rhea dug around in her pockets and gave Sheena almost seventeen dollars.
“Get some food. And be careful–”

Sheena took the money. Suddenly she grabbed Rhea and hugged her close. “You too.” she cautioned then hurried across the street and headed downtown.

Rhea walked across the Chavez Bridge. Below her was the homeless camp. Behind her was the city skyline. A few yards from the boulevard on the northeast side of the bridge was a sagging, shuttered old bar called Domingos. She went around to the back. She checked in trash cans and knee high weeds, sniffing and honing in on a spot behind an old tire. There it was: a rotting dead possum. She backed away then turned around. She was facing the back of the bar. She sniffed; smelled something. She walked to the bolted back door and put her nose to the edge of it. She sniffed. She went around to the front. That door was jammed tight with twenty years of grime and a ten dollar lock. Deciding the smell gave her cause, she jimmied it open. Air that held the whiff of charred beans kissed her as it escaped the place. She went inside.

Her eyes adjusted to a hazy darkness. The significant light of an LA night bled through three small curtained windows. She saw a bar against one wall, a pool table in the middle of the small room and a closed door in the back. A page of smoke slid out from under it. The door was locked. Three kicks knocked it open. Smoke veiled the room. Rhea walked through it. A blackened stove stood against against a burned wall, splattered with the scorched remains of a pot of beans that had exploded.

Rhea slid a finger through a layer of soot that covered everything. It was pitted by drops of water from the ceiling sprinklers that had put out the fire. But they hadn’t put it out fast enough. There was a spent extinguisher on the floor, still in the hand of a dead girl lying there. Rhea braced herself against the smell and bent over her. The girl looked Mexican. Her other arm reached out to two more dead Mexican girls, huddled together by the bolted back door. The girls from Chinatown. Their arms were around each other. Their eyes were open. Their bodies were splattered with extinguisher foam. They’re nostrils were blackened with smoke. The youngest one was still warm. Rhea checked for a pulse.

She pressed the sides of the girl’s mouth open. Her blue lips puckered like a snap dragon. The air above her shimmered and rippled then fluttered away, as though she’d exhaled one last dream.

Rhea jumped, a little freaked by the other-worldliness of it.

Back outside on the cement bank across the river from Domingos, the photographer dropped to one knee, steadied her lens and snapped off a half dozen pictures of the shimmer as it rose up into the night sky just above Domingos.

In the blackened kitchen, Rhea checked again for a pulse on the little girl. Nothing. The girl was dead. Rhea took out her phone and snapped a few pics of the dead girls. Then she called the boss.

Jun 21
0

Baseball Nut

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It was Detective Sergeant Matt Strickland’s night off. He’d had Stouffer’s lasagna for dinner, with an added sprinkle of romano, grilled to bubbling in a toaster oven. He’d watered the 57 succulents he kept on the screened-in little terrace of his ground-floor one-bedroom Hollywood apartment. He’d watched the nine o’clock news then taken four herbal sleep aids. He woke up fast when his cell phone buzzed. When he heard Rhea’s familiar cadence, “Hey Strickland–” he was fully awake.

“Detective– ” he automatically responded, “Are you ok? Where are you?”

“Fine. Cesar Chavez, a half block up from Pleasant. Place called Domingos.” She said no more. She didn’t need to.

He already had one leg in his pants. He hung up, stuck his other leg in, gave his balls a sprinkle with Gold Bond, swished a mouthful of Listerine, shrugged on a worn-out short-sleeved shirt, grabbed his gun and was out the door.

Nineteen minutes later he was inside Domingos, standing next to Rhea, looking down at the three small bodies. He took out his phone and called it in. Rhea hung close, trying to hear as he asked dispatch who was available to partner.

“Who’s coming in?” she asked him after he hung up. He ignored her and looked back at the dead.

“Think they died of smoke?” Rhea asked him for an early opinion.

He knelt down and looked closely at the girls’ sooty mouths. “Probably but…” He looked around “If there was enough smoke to kill them… why wasn’t a fire called in?”

“Grease fire…?” she suggested.

He agreed with the probability. He looked around the room. There were no other exits— “Just these two doors. Locked.” He looked at her. She agreed, pointing to the kitchen door. “I busted that one down.”

“Three girls. Locked in.” he continued his early questions, adding, “Mexican?”

Rhea looked back at them. “I’d say so. They have that beauty.”

He looked around the room again; he peered into empty cupboards and into the empty pantry. Rhea spotted a dense cobweb strung from a corner of a worn counter to the wall. She blew on it. Dusty smoke scattered.

“This place has been closed for awhile.” she realized.

He nodded. “Might be a stash joint.”

“For Illegals.” She said. He nodded again, still thinking. She watched them for a minute, sad. “Some sanctuary city we are…”

He went over to the stove, he studied the burned food that had exploded against the wall. “Probably just cooking some dinner and it caught fire.”

Rhea nodded, “Still… somebody locked them in. Once we find them–”

He turned and gave her a long look. “We?”

Rhea ignored him. She looked closer at the burnt food on the wall.

“Have you even gone to therapy?” Strickland asked.

“Yes.” Rhea answered then looked away, concentrating on some sticky white blob on the counter. Strickland watched as she smelled it. She searched the room for a trash can, finding one in a corner, she looked inside. There were some plastic utensils, two empty soda cans, an empty refied bean can dusted in soot.

She went back to the blob. She looked at Strickland.

“I wouldn’t.” He told her.

She tapped it then licked her finger. She tasted and concentrated. Finally a revelation: “Baseball Nut.”

“What?” Strickland asked.

“It’s Baseball Nut ice cream. Baskin Robbins.”

“You sure?” Strickland asked.

“Yeah.” she was sure. “They only have it in the summer. It’s pretty good. Vanilla with raspberry swirl and cashews.”

Strickland paused, taking a moment to acknowledge her deduction. “I’ll be sure to tell Dawson when he gets here–”

“Dawson.” Rhea shook her head.

“Dawson is a good cop–” he tried to cut her off.

She argued, “Dawson’s wants a headline. There’s no print in dead illegals. He’ll ditch it.”

“Maybe it’s just a fire, and that’s all.” Strickland ended it for now.

Rhea looked back at the bodies on the floor; studying them. Powerless.

Outside, across the river the photographer stood on the bank, searching the skyline. Her name was Daisy Valentine. She was twenty-seven years old. Her blonde hair hung down her back. Her t-shirt said “Endeavour”. Her stance was strong and patient as her eyes searched the skyline for any more puffs of light. Her Pentax was strung around her neck. She held it in her hand, supporting the old zoom lens; The moon was full and rising. She moved her lens until it reflected a beam of moonlight then bounced it over the river bed, pooling its way across the crack in Domingos’ bolted back door.

Inside Domingos’ kitchen, that reflected moonlight found its way through that crack and crossed over the dead girls like a laser. It hit something purple on one of their bodies. It shimmered, catching Rhea’s eye. She looked closer. Transfixed. A sound caught in her throat, a cry. Strickland turned to her and looked at what she was looking at. On one of the dead girl’s wrists – barely visible but now glinting in the sliver of moonlight – was a plastic bracelet with a purple tin charm on it that advertised “Boom Boom Carneceria. Ensenada. Mexico.”

Mar 22
0

Depth of Field

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Daisy Valentine pressed her finger into the last crumbs on her plate left from a cheddar cranberry scone. She licked her finger and finished editing a photo of onion rings she’d taken for a local burger joint’s window poster. She topped up her iced coffee, grabbed her ever-ready Pentax and took it and the coffee out onto her back patio. She slipped her legs over the low wall and let her bare feet dangle as she scanned the dark forest below. She played a little Nick Cave on her Moto phone and Moonlight Mile by the Stones: “Oh I am sleeping under strange strange skies…” She got up, stretched, stood on the wall. As she looked to her left, out over the distant downtown LA, she saw a tiny, familiar puff of light shimmer up toward the sky. She knew people died all over LA every day. If you looked really hard you could see the souls rise, even in the bright height of daylight. Some only rose an inch before dissolving. Some rose all the way into the sky and were gone – absorbed into heaven. And a very few drifted back down. Daisy didn’t document most of them – they were too far in the distance or it was too light to record them on film. But this one, she could tell, was a little girl. In a moment, it, too was gone. But she felt compelled to go to it – compelled to see if it would float back down.

“Hey Ralphie–!” she called into the brush below. A minute later, an old coyote came out of the dark and onto her patio. “Watch the place, OK? There’s food in the fridge if you’re hungry.”

Ralphie lay down by her open back door. She grabbed her car keys, got in her Jeep, rested her camera in her lap and drove down the hill. As the Hollywood sign receded behind her, she passed the Village market and drove down Beachwood Drive, to the streetlight at Franklin. When it turned green, she turned left, drove to Hillhurst and took that to Sunset. Fifteen minutes later she crossed the Chavez bridge and parked a block down, in front of an old Boyle Heights church. Painted on the front, a mural of God giving an angel the city of Los Angeles on a platter made her laugh. She looked around to get her bearings then walked back across the bridge. She wandered across the top of the cement bank of the LA river. She sat on a railroad track that ran near it. She faced toward Domingos and waited. She never saw a soul. But about ten minutes after ten, a woman who smelled like taquitos and a teenage girl walked by. She faded back, into the debris by the tracks, nearly disappearing. It was a good trick and she used it often. She didn’t mind people, really – she liked most of them. They were weird and funny and interesting. but she always had to walk away before they asked too many questions.

Mar 22
0

Moonlight Mile

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Just across the river from Domingo’s back door, Daisy walked along the railroad tracks that ran alongside the cement LA River bank. She stopped and looked around, looked up, just above the skyline one last time, near to where she’d seen the puff of light rise. Her Pentax was strung around her neck. She held it in her hand, supporting the old zoom lens. The lens cap was off. As the rising moon brightened, a bit of its light reflected off of her lens and bounced across the river bed, pooling its way across the crack in Domingos’ bolted back door

Inside Domingos’ sad kitchen, that sliver of moonlight found its way through the crack in the back door. As it crossed over the dead girls, something purple shimmered just as Rhea glanced back down at them. She looked closer; she bent down. Transfixed. Strickland finished his call, hung up and turned to her.

“They’ll be here in five, you should go–” he told her. But she wasn’t listening. A sound caught in her throat. He looked closer; looked at what she was looking at. One of the girl’s arms was tucked under her dress; her wrist was barely visible. Wrapped around that wrist was a plastic bracelet with a purple tin charm on it that advertised “Boom Boom Carneceria. Ensenada. Mexico.”

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