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aggie day porter | An LA Crime Story

Remains

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A little after nine that night Rhea followed Sheena along the top of the cement embankment of the LA River. Daylight was nearly gone; shadows were long. As they neared the Chavez Bridge, Sheena pointed down, to a clump of debris under the bridge.

“There.”

“Stay here.” Rhea told Sheena as she scrambled down the bank where it trickled under the Chavez bridge. She walked a few yards to the remains of a homeless camp: a moldy sleeping bag, some squishy old sweat pants, three empty Cheetos bags and an empty can of diet Coke and Progresso Lite Pot Pie soup.

A sudden whoosh of air brushed down on her. She thought nothing of it – LA was a city of Santa Anas – she was used to sudden gusts. But the tail end of the second gust carried on it a faint smell. She knew it well. She looked around for a body but she knew it would be a little farther away. She took another whiff then looked up the opposite embankment toward the street above. A Chavez street bridge crossed over it. The young woman photographer was walking over it. Then she stopped. Through an opening between balustrades, Rhea could see the woman was barefoot. Was she homeless? Rhea wondered, though she seemed too clean. Plus she carried an old 35mm camera and an air of cool. Then she stopped. She looked down. At Rhea. Her expectant look pulled Rhea in like a memory.

“Find anything?” Sheena’s voice broke the spell.

Rhea turned. Sheena was about to skitter down the embankment.

“Stay there!” Rhea called up to her. Rhea glanced back up at the woman on the bridge. She was moving on, crossing to the side Sheena was on. Rhea decided the woman was just another hipster photog, looking for a moody downtown LA pic.

Rhea went back to Sheena. “You have somewhere you can stay for a few nights?” she asked her.

“What is it?”

“Probably just a dead dog or racoon. I’ll get animal control to pick it up in the morning. Is there somewhere you can-”

“I can crash downtown–”

“Try the shelter on San Pedro–”

Sheena shook her head. Hard.

“They’ve got better security now–” Rhea half-heartedly tried to convince her but Sheena wasn’t having it. Rhea understood – it would take an army of security and the compassion of masses to stem the violence and troubles of the homeless in LA. Rhea dug around in her pockets and gave Sheena almost seventeen dollars.
“Get some food. And be careful–”

Sheena took the money. Suddenly she grabbed Rhea and hugged her close. “You too.” she cautioned then hurried across the street and headed downtown.

Rhea walked across the Chavez Bridge. Below her was the homeless camp. Behind her was the city skyline. A few yards from the boulevard on the northeast side of the bridge was a sagging, shuttered old bar called Domingos. She went around to the back. She checked in trash cans and knee high weeds, sniffing and honing in on a spot behind an old tire. There it was: a rotting dead possum. She backed away then turned around. She was facing the back of the bar. She sniffed; smelled something. She walked to the bolted back door and put her nose to the edge of it. She sniffed. She went around to the front. That door was jammed tight with twenty years of grime and a ten dollar lock. Deciding the smell gave her cause, she jimmied it open. Air that held the whiff of charred beans kissed her as it escaped the place. She went inside.

Her eyes adjusted to a hazy darkness. The significant light of an LA night bled through three small curtained windows. She saw a bar against one wall, a pool table in the middle of the small room and a closed door in the back. A page of smoke slid out from under it. The door was locked. Three kicks knocked it open. Smoke veiled the room. Rhea walked through it. A blackened stove stood against against a burned wall, splattered with the scorched remains of a pot of beans that had exploded.

Rhea slid a finger through a layer of soot that covered everything. It was pitted by drops of water from the ceiling sprinklers that had put out the fire. But they hadn’t put it out fast enough. There was a spent extinguisher on the floor, still in the hand of a dead girl lying there. Rhea braced herself against the smell and bent over her. The girl looked Mexican. Her other arm reached out to two more dead Mexican girls, huddled together by the bolted back door. The girls from Chinatown. Their arms were around each other. Their eyes were open. Their bodies were splattered with extinguisher foam. They’re nostrils were blackened with smoke. The youngest one was still warm. Rhea checked for a pulse.

She pressed the sides of the girl’s mouth open. Her blue lips puckered like a snap dragon. The air above her shimmered and rippled then fluttered away, as though she’d exhaled one last dream.

Rhea jumped, a little freaked by the other-worldliness of it.

Back outside on the cement bank across the river from Domingos, the photographer dropped to one knee, steadied her lens and snapped off a half dozen pictures of the shimmer as it rose up into the night sky just above Domingos.

In the blackened kitchen, Rhea checked again for a pulse on the little girl. Nothing. The girl was dead. Rhea took out her phone and snapped a few pics of the dead girls. Then she called the boss.

Baseball Nut

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It was Detective Sergeant Matt Strickland’s night off. He’d had Stouffer’s lasagna for dinner, with an added sprinkle of romano, grilled to bubbling in a toaster oven. He’d watered the 57 succulents he kept on the screened-in little terrace of his ground-floor one-bedroom Hollywood apartment. He’d watched the nine o’clock news then taken four herbal sleep aids. He woke up fast when his cell phone buzzed. When he heard Rhea’s familiar cadence, “Hey Strickland–” he was fully awake.

“Detective– ” he automatically responded, “Are you ok? Where are you?”

“Fine. Cesar Chavez, a half block up from Pleasant. Place called Domingos.” She said no more. She didn’t need to.

He already had one leg in his pants. He hung up, stuck his other leg in, gave his balls a sprinkle with Gold Bond, swished a mouthful of Listerine, shrugged on a worn-out short-sleeved shirt, grabbed his gun and was out the door.

Nineteen minutes later he was inside Domingos, standing next to Rhea, looking down at the three small bodies. He took out his phone and called it in. Rhea hung close, trying to hear as he asked dispatch who was available to partner.

“Who’s coming in?” she asked him after he hung up. He ignored her and looked back at the dead.

“Think they died of smoke?” Rhea asked him for an early opinion.

He knelt down and looked closely at the girls’ sooty mouths. “Probably but…” He looked around “If there was enough smoke to kill them… why wasn’t a fire called in?”

“Grease fire…?” she suggested.

He agreed with the probability. He looked around the room. There were no other exits— “Just these two doors. Locked.” He looked at her. She agreed, pointing to the kitchen door. “I busted that one down.”

“Three girls. Locked in.” he continued his early questions, adding, “Mexican?”

Rhea looked back at them. “I’d say so. They have that beauty.”

He looked around the room again; he peered into empty cupboards and into the empty pantry. Rhea spotted a dense cobweb strung from a corner of a worn counter to the wall. She blew on it. Dusty smoke scattered.

“This place has been closed for awhile.” she realized.

He nodded. “Might be a stash joint.”

“For Illegals.” She said. He nodded again, still thinking. She watched them for a minute, sad. “Some sanctuary city we are…”

He went over to the stove, he studied the burned food that had exploded against the wall. “Probably just cooking some dinner and it caught fire.”

Rhea nodded, “Still… somebody locked them in. Once we find them–”

He turned and gave her a long look. “We?”

Rhea ignored him. She looked closer at the burnt food on the wall.

“Have you even gone to therapy?” Strickland asked.

“Yes.” Rhea answered then looked away, concentrating on some sticky white blob on the counter. Strickland watched as she smelled it. She searched the room for a trash can, finding one in a corner, she looked inside. There were some plastic utensils, two empty soda cans, an empty refied bean can dusted in soot.

She went back to the blob. She looked at Strickland.

“I wouldn’t.” He told her.

She tapped it then licked her finger. She tasted and concentrated. Finally a revelation: “Baseball Nut.”

“What?” Strickland asked.

“It’s Baseball Nut ice cream. Baskin Robbins.”

“You sure?” Strickland asked.

“Yeah.” she was sure. “They only have it in the summer. It’s pretty good. Vanilla with raspberry swirl and cashews.”

Strickland paused, taking a moment to acknowledge her deduction. “I’ll be sure to tell Dawson when he gets here–”

“Dawson.” Rhea shook her head.

“Dawson is a good cop–” he tried to cut her off.

She argued, “Dawson’s wants a headline. There’s no print in dead illegals. He’ll ditch it.”

“Maybe it’s just a fire, and that’s all.” Strickland ended it for now.

Rhea looked back at the bodies on the floor; studying them. Powerless.

Outside, across the river the photographer stood on the bank, searching the skyline. Her name was Daisy Valentine. She was twenty-seven years old. Her blonde hair hung down her back. Her t-shirt said “Endeavour”. Her stance was strong and patient as her eyes searched the skyline for any more puffs of light. Her Pentax was strung around her neck. She held it in her hand, supporting the old zoom lens; The moon was full and rising. She moved her lens until it reflected a beam of moonlight then bounced it over the river bed, pooling its way across the crack in Domingos’ bolted back door.

Inside Domingos’ kitchen, that reflected moonlight found its way through that crack and crossed over the dead girls like a laser. It hit something purple on one of their bodies. It shimmered, catching Rhea’s eye. She looked closer. Transfixed. A sound caught in her throat, a cry. Strickland turned to her and looked at what she was looking at. On one of the dead girl’s wrists – barely visible but now glinting in the sliver of moonlight – was a plastic bracelet with a purple tin charm on it that advertised “Boom Boom Carneceria. Ensenada. Mexico.”

Tecate

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Four dusty miles from the US border in the beer town of Tecate, Panama pulled over again. He waited thirty-some minutes for night. No one else was on the road. He opened the side door to the van and pushed aside four carved wooden rustic Mexican dining chairs. Behind them was a small wooden sideboard. He opened the cabinet doors and told Aggie to get inside.

“The road’s gonna get bumpy.” He told her. “Inside there, you won’t get sick.”

Aggie got inside. Panama rolled up his jacket to make a pillow for her then gave her another churro.

“Keep really quiet. Maybe even try and go to sleep. I’ll check on you in an hour.”

Aggie took the churro. “Unless Rhea comes before.”

“Yeah.”

He closed the cabinet, sprayed some more air freshener, closed the van doors, got in the front and drove on, into Tecate.

Except for the brewery, Tecate was a small-building, low lying town. Panama drove down streets of tiny houses and markets and beauty salons and car repair shops, criss-crossed with railroad tracks. He followed the signs to the border. As he pulled up to the crossing, he noticed Aggie’s pink sunglasses were lying on the front seat.

There were two guards at the gate. The bigger one, a strawberry blond twenty-five-year old named Donnelly, walked around Panama’s blue van with a sniffer dog, Yodel. Inside, Panama tried to look calm and sober despite the little pink sunglasses he’d stuck on his head, using them to hold back his long hair. He watched Donnelly and Yodel in the rear view. When they looked done, he stuck his head out of the window.

“We bueno, dude?”

Donnelly approached the window, looked at Panama. “Quirky.” He thought to himself. “Young. Tired.”

“The road’s pretty wind-ey ‘til you get to the eight. If you get tired, you should pull over.” he warned Panama. “Guy last week fell asleep two miles in and went off a cliff–”

“I’ll be OK.” Panama told him as he shoved the sunglasses back down on his head – they were small and kept popping up, “In three hours, I’m home–”

He started the van, waved at Donnelly and drove across the border. And into the blackness of the hills.

About an hour after he’d let Panama through the border, the phone in Donnelly’s booth rang.

Night Fallen

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By a little after six, the streets had cleared somewhat outside Joe’s. Rhea and Steve had checked every doorway, shadow and face three and four times over; their ragged voices still pleading Aggie’s name. They stopped when they saw two cops walking toward them, from the end of the block. The sky was black behind them and filled with hazy stars veiled behind the heavy seaside mist.

As the cops got closer, the one named Nava started shaking his head “no”. Steve crumpled. Rhea tried to hold him up but she couldn’t.

“Nothing?” she asked Nava as she kneeled down and held onto Steve.

“Not yet. But–”

“What?!” Rhea begged.

“–might be nothing, but… ” he said, trying to help Steve up. His English was perfect; unmistakable as he asked, “Did she have pink sunglasses?”

All There Is

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A cold, dark wind had kicked up at the border. Tumbleweed rolled across the two-lane road and stopped up against Steve’s Chrysler as he slammed to a stop in the middle of the road, half a dozen yards from the guard booth. He opened the door but didn’t get out; he was afraid to step on the pavement as though doing so, he would take another step into this nightmare and he just didn’t want to. He hung tight to Aggie’s kitten, Poo as Rhea jumped out and hurried up to Nava, Donnelly and Nava’s partner who were standing by the booth, talking.

“–no drugs. Yodel sniffed the whole van. Nothing–” Donnelly was saying as Rhea ran up to him, yelling,

“Did you see her?! It’s she ok?!”

“No, no–”

“You didn’t see her–?!”

“No–”

“But you saw her sunglasses–?!”

“We don’t know if they’re hers.” Nava tried to calm Rhea down. She kept hammering questions.

“They were pink?”

“Yeah–”

“With little kittens on them? One on each corner?” Rhea asked him.

Donnelly shook his head, “Couldn’t tell. He had them stuck on top of his head–”

“Who did?”

“He was a little older than you, maybe eighteen. Dark hair, brown skin, light eyes? Driving a new blue van?”

Rhea stared at Donnelly; blank.

“Did you see him around anywhere? Maybe on the street? Or at Joe’s?” Nava asked her.

“No… No.” Rhea tried to will a picture of this man but… she’d never seen him. “But he had Aggie’s sunglasses?”

“…I don’t know, Miss. But they were pink. And little.” He looked at Nava as he went on, “I only noticed ’cause they popped up a little and he pushed them back down. They popped up ’cause they were too small. Like…a little kids’ size.”

Rhea stared at Donnelly, waiting for more. But that was it.

“Anything else you remember?” Nava’s partner asked asked Donnelly.

“Maybe…” Donnelly shared, “He looked a little beat, so I told him the road through the hills is pretty hairy and if he was tired, he should pull over somewhere and sleep a little. His ID said San Diego but… he said he was OK and that he’d be home in three hours.”

“Three hours?” Nava asked, calculating the inevitable. “That’s LA.”

The three cops nodded; almost imperceptibly but there was an agreement.

Donnelly nodded. “I’ll call.” He headed toward his booth.

“What’s happening?” Rhea almost didn’t want to know.

“He’s gonna call LAPD.”

As the wind whipped the silence around them, a car hurtled down the hilly road toward the crossing. It nearly slammed into the booth, screeched to a halt and before it stopped completely, Stel jumped out of the passenger side and ran toward them, screaming,

“Where is she?!”

Steve jerked up, losing his grip on Poo. Poo started mewing, trying to mew that old Willie Nelson song as she scampered up the highway, into the hills.

A Tremble

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The moment Aggie got taken, Detective Matt Strickland was starting his second cup of coffee after a late lunch at The Pantry – eggs over medium, rye toast, sliced tomatoes. When he set the cup down after a sip, his coffee trembled – rippled like when a small earthquake aftershock rolls through. He looked up. No one else noticed anything. He knew this was internal; an instinct he almost wished he didn’t have – it had happened twice before. He finished the coffee, paid the bill and went back to LAPD Central and waited for the call he knew would come. It did. About seven hours later, a little after nine that night. It was Donnelly, calling about a missing little girl named Aggie Day Porter and a possible abductor who said his destination was a three hour drive from the border at Tecate.

“You call San Diego?” he asked, knowing the answer.

“Yeah, but… thought we’d better get you in right away. Kid’s American.”

Shit. It didn’t matter what nationality a kid in danger was to Strickland. But it mattered to others. It mattered in the media. An American was a bigger deal.

“Where’re the parents–” he started. “Here.” San Diego Detective Rudy Canon got on the line, letting Strickland know this was not likely a familial abduction. It was the second time that year he’d talked to Strickland. This was the third kid they’d talked about. The other two were Mexican girls – six and nine. Only the six-year-old had been found… decomposing in a trash bin on a construction site near the fourth street bridge on the east side of downtown LA. No leads. No suspects. No hope.

There was a chance the other girl and now Aggie weren’t in LA but there was a good chance they were. It was becoming a popular destination for trafficking as well as the usual runaways and illegals. And at just over five hundred square miles and nine million people, it was easy to disappear there.

“I’ll need pictures.” He told Canon, “Tonight.”

“House is in Norwalk. I can get them there by one.” Canon promised.

Strickland put out a BOLO: five year old female, blond hair, forty pounds, wearing a green jacket, white tutu and jeans. Possible suspect Mexican-American male, approximately eighteen, driving a late model blue VW van. He opened a case, drank two cups of coffee, ate a vending machine Honey Bun then at midnight, he jumped on the five and headed south.

Notepad

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The Porter house was a fifties tract house papered in faded wallpaper and jammed full of thick silence pierced by the steady beat of Steve’s sobs as he sat in a lumpy chair, looking out the front window at the night. Strickland knew he didn’t see the neighbors’ twinkling Christmas lights and he didn’t see the full moon. He doubted he saw anything but the dark. It’s all he had left. He’d told Donnelly, Nava and Canon everything he remembered about that day, then he shut down. Strickland turned to Rhea.

“Anything else you remember?” he asked the panicked, gangly teen trying to disappear into the wall she cowered against. “Any one in Joe’s seem unusual or maybe they were gone when you noticed Aggie gone, too?”

Rhea shook her head and briefly looked him in the eye, “I don’t think so—“

“Jesus!” Stel screamed at her, “Think! You had to see something besides the fucking food–!”

Rhea froze, immobilized by Stel’s rage and her own guilt. The pain in her eyes was heartbreaking to Strickland. That pain was why, at thirty seven, Strickland still didn’t have kids. His ex-wife was sure she could talk him into it or at least fuck him into it. She came close, too but then he made the Exploited Kids Division and he saw what people did to them. He saw the bodies. He saw the damage. And every single time it broke him. He couldn’t imagine if one was his own. He looked at the pictures Stel had given him. In one, Aggie looked right at him, her half smile seemed to say, “I’m lost forever.” He shoved it to the bottom of the stack of five.

“I’ll get these photos back to you soon as we make copies—”

He looked back at Rhea, wanting to talk to her but Stel held on to him.

“You’ll find her.” She said.

He wanted to say, “Don’t get your hopes up.” But he knew, until a body was found, there would always be hope. And that was not a good thing.

“We’ll try our best, Mrs. Porter.”

He handed Rhea a little rainbow notepad note-pad and pen, wrote down his number and told her to write down anything she remembered and to call him, “Anytime.”

Night Train

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Rhea didn’t want Strickland to leave. She needed his power, his confidence, his calm. She willed her mind to remember something, anything – some perfect and stunning tidbit that would lead him straight to Aggie. But nothing came. And he left. She kept staring at the closed door. She was on one side, and Aggie was somewhere outside, lost in the night. She hung on to that unbearable thought as though following it through the dark labyrinth of her imagination would lead her to her sister. But she couldn’t follow the path in her mind. She was tired. She shouldn’t be tired, her sister was missing and it was her fault – she should never ever sleep again until Aggie was home. Her eyes kept closing. What a terrible sister she was.

Stel put her thumb and forefinger on Rhea’s chin and turned her face to her own.

“Are You listening to me?”

Rhea nodded, trying to focus on what her mother was saying.

“I have to stay here, for when Aggie comes home.”

Rhea nodded again, wondering where this was going.

“Your father can’t go, look at him, he can’t even get out of that chair.”

It started to become clear. Yes! Someone in the family needed to go find Aggie because, as Stel pointed out, “That cop doesn’t know Aggie, doesn’t love her like we do. His heart isn’t in it. And she won’t be looking for him, she’ll be looking for one of us.”

“I can go…?” Rhea answered, a little unsure but as Stel firmly nodded while looking into Rhea’s eyes, Rhea became certain. This made sense. All except the details. “How will I–?” Rhea tried to make a plan–

Stel cut her off, she already had this figured out. “Trains run all night. Especially now. Christmas. Go pack a few things and I’ll take you to the Fullerton Station.”

Wow. This was really happening. Rhea felt a jolt of adrenaline and of relief. This was good. This would work. She’d find Aggie like she’d always done and everything would be back like it was.

Rhea jammed a skirt, a pair of jeans, two T-shirts, underwear, toothbrush and a picture of Aggie into her little round black patent leather case with embossed pink ballet shoes on it then zipped it up as Stel hovered, impatiently.

“Ready?”

Rhea nodded. Stel grabbed her keys. As they left, Rhea glanced at her father, searching for something in his eyes – love or at least a goodbye – but there was nothing there. She closed the door behind her.

Stel held the car door open for Rhea, trying to hurry her along. Rhea slid in. Stel hurried into the driver’s side and, not bothering to buckle her seat belt, drove them away.

At one forty nine, the Fullerton train station was still had a few people. Happy people, laughing people, setting down armloads of packages to hug their loved ones who’d come to welcome them home for the holidays.

Stel gave Rhea a ticket and a hundred and seventy-one dollars.

“It’s all I have in the house.” she said as she thrust it at Rhea. “It should be plenty for some food and a motel for a few nights.”

“Thank you.” Rhea told her mom, straining with the sudden uneasy formality.

Stel nodded and turned to leave. Almost as an afterthought, she grabbed Rhea and hugged her hard and fast. Rhea hugged back. “I’ll find her, mom. I promise.”

Stel let go. “I have to get back, in case–” Rhea nodded. Stel hurried away. Rhea got on the train alone. No one waved goodbye.

The train slipped past warehouses, trailer parks, freeways and the Firestone tire factory which was built to look like a castle.

“Is she in there?” Rhea wondered as she strained against the dirty train window trying to see a glimpse of Aggie. Or in one of those trailers? Or in that laundromat? Or that Taco Bell? So many places to look…

The magnitude of the task ahead started to creep in. But for now, Rhea just focused on looking out that window. Sometimes she glanced at the blank notepad. In the course of the thirty three minute train ride to LA, all she could think to write was: bluebirds.

Rustic Imports

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One hour before Rhea got on the train, twenty-six miles north, in an alley behind Palmetto Street, Leland Hays stood on the loading ramp of his downtown LA furniture warehouse and peeled off three hundred dollars from a roll of bills and handed the money to Panama Jones.

“You told me five or six—“ Panama reminded him.

“I had to take out for gas, insurance, wear and tear—” Leland explained.

Panama wasn’t happy. “I gotta pay for that too?”

Hays went on, “You only got one girl. Don’t get me wrong, one’s OK but—five or six hundred for one? We’re trying to do these girls a favor here, right? Their new… ‘employers’… are paying me a little something but no one’s getting rich, here.”

Panama nodded, he understood. He gestured toward the closed steel door at the top of the ramp. “She still goin’ to Beverly Hills?”

“Yep. To a great family.” Hays assured him, then added, “Remember, no one knows we do this. Government wouldn’t like us not payin’ them their immigration fees–”

“I know.” Panama interrupted–

“We’d all be in deep shit—“ Hays went on, emphasizing “all”.

“I know.”

“Good.” Hays said, like a threat. “Come back by in a few weeks— I’ll have more work.”

Panama nodded and walked away, past the blue van parked in a spot in front of the warehouse, next to an old Mercedes and an ’88 Camry. He headed toward the bus stop on Fourth Street. Something felt weird to him but, he had a few joints in his pocket to smooth it all out.

Back inside his warehouse, Hays went into his office and looked around. “Larry?” he called out.

“Over here.” came a male voice. Hays followed it back outside to the top of the ramp where the furniture that was in the blue van had been unloaded. The door to the rustic cabinet was open. Inside the cabinet, Aggie was sound asleep. A balding man in his thirties, Larry Ozrin, pointed at her, smiling. Hays agreed with a smile. “Blond. Yeah–” He rubbed his fingers against his thumb in the gesture of “money.”

Ozrin nodded, “How much?”

“Extra five grand.” Hays told him. Ozrin reeled, “C’mon, man–”

“Firm.” Hays wasn’t negotiating. After a minute, Ozrin agreed. He handed over a neat stack of cash to which he added five thousand dollars.

“You’ll make that back in a week.”

“Easily.” Ozrin admitted then he lifted Aggie out of the cabinet and carried her, still sleeping, out to his Camry. He put her in the back seat, wrapped in a blanket. He drove off, keeping well within the speed limit.

Paradise Motel

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Almost two hours later and six city blocks away, Rhea’s train slid into Union Station. It was three in the morning and almost busy. She followed fellow travelers through the cavernous hall; hurried past a gloriously huge Christmas tree and slipped through the front doors into the night. It was cool in LA. And misty.

Rhea stopped dead in front of the station, mouth agape at what she saw: Blocks of high rises mixed with Deco buildings, wide streets and Our Lady Queen of Angels church – all asleep for the night. But the streets were alive with cars. The sheer vastness of it stunned her. Scared her. Threatened her. And this was just a corner of it. She couldn’t move – didn’t know which way to go – didn’t know where to start looking.

“Bad place to stop.” A woman snarled at Rhea as she slammed into her on the busy walk outside the station.

Rhea started walking. Then she stopped. She unzipped the patent leather bag, grabbed the photo of Aggie and ran after the woman. “Wait! Wait –” she cried as she caught up to her and grabbed her arm. The woman stopped. Rhea showed her the picture. “Have you seen this girl?” The woman looked at the picture and shook her head, backing away from Rhea’s pain. Rhea shoved the picture into the faces of anyone she could who was leaving the station. She followed them into the parking lot and onto the street. “Have you seen her? Have you seen this girl?” Nineteen, twenty, thirty five times. No one had. A Security Guard finally shooed her away. “Take that business somewhere else.”

Rhea crossed the street and started walking up Cesar Chavez Boulevard. Away from the hub of the train Station, a darker vibe set in. There were few homeless back then but the sight of them huddled in doorways, asleep on cardboard, their arms around the wad of bags and rags that were theirs – shocked Rhea. She hurried past them and crossed the street toward Chinatown. Someone in a car driving by hissed at her, “Tasty Girl…” Another car pulled to the curb a few yards up. As she passed by, a man opened the passenger door, his big dick swinging free at her, the smell of stale piss and cum penetrating the mist. She ran.

At the end of the block, two teens huffing Krylon hung out in a little parking lot. As Rhea stopped on the corner, they checked her out. As she waited for the light to turn green, they moved closer. The light turned. She started to cross. They hurried closer. In the middle of the street she suddenly turned and swung her case at them, smacking the bigger one straight across his jaw, freaking them out. She ran, across the street and up a long block. Ahead she saw the sputtering purple and green neon strips that framed the Paradise Motel. It was open.

A ninety-pound woman with a popcorn ball in one hand and a tv remote in the other waved at a sign that said “NIGHTLY RATES $45.00.” when Rhea asked her how much was a room. Rhea handed over the cash. “Checkout’s at noon.” she informed Rhea and gave her a key.

Inside room 27, Rhea locked the dead bolt. She fell on the bed, holding the picture of Aggie close to her. She fell instantly asleep. She slept for fourteen hours.

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